All posts by Nicole

“Clock” Time and Moving Slowly

Nicole Land thinking with Angela Chow, Angélique Sanders, and Kassandra Rodriguez Almonte

Angela has been thinking about slowing down within moving and asking “what is happening here” on our walks, which is making me think of the work that slowing down does. Kassandra has been thinking about perspective, which I think ties to slowing down because I think that we can think of speed as a perspective: adult slow walking opens up different ways of noticing at a different tempo than children’s slow walking. Adult running, where we are confident in our balance and run from point A to point B, orients us to differently than children’s running, where tumbling and zigzagging and yelling cause us to notice differently. 

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Who Participates in Moving?

Nicole Land thinking with Sanja Todorovic and Jajiba Chowdhury

I was thinking of our earlier conversations about running and about being curious how different ways of moving happen in your classroom, and what these different ways of moving do. I think that there is something quite interesting happening in noticing how and why different materials are carried, and how they travel, around the space. On Friday, there were lots of materials that were scooped up and carried around in lots of different ways: a hat that was carried around on heads and in hands, the coloured see-through block pieces that children carried in threes as they stretched their hands to hold three at a time, some children cuddling baby dolls against their bodies as they walked them around and others holding the dolls by their ankles or arms as they walked, the paint from the activity that got stuck to fingers before it was washed off, and books that were carried by their covers or carefully held flat as they travelled from the book carpet to other spaces. There is so much moving with materials that is unfolding, and I am interested in wondering and paying attention to what these moving relations create – what happens when dolls or paint or blocks or books move in particular ways? What does this moving open up? How do we shape how children move with these materials – why, how?

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Noticing and Negotiating “Alive”

Nicole Land thinking with Maria Wysocki, Selena Ha, Andrea Thomas, and Alicja Frankowski

We have been thinking about the non-innocent choices we make about what questions to live and follow, and what questions/lives/trouble we choose to ignore with the playground. While I was with C and Z in the corner of the sand, C was telling us how he watched a documentary on sand and oceans. He mentioned that sand in the ocean is very alive because there are crabs and waves. This made me wonder if sand in the sand pit was alive – I shared this question with C & Z, and C thought that sand in the sand pit wasn’t alive because it didn’t go as deep as sand in the ocean. Z suggested that sand here might be alive. We thought about why and wondered how the worms were alive. I asked if we could keep thinking with this question together: how is sand alive? How do we know? How do we notice what lives in sand?

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“What Happened Here?”

Nicole Land thinking with Angela Chow, Angélique Sanders, and Kassandra Rodriguez Almonte

We’ve been thinking with pedagogy as living a question; as resisting answers or solutions or certainty or tokenism or outcomes and instead thinking with how we negotiate our pedagogical commitments and continue to enliven questions. This idea of sticking with soulful questions, or difficult pedagogical work that feels nourishing, feels to me like an important anchor for our thinking with moving: what ways of moving do we want to care for and create conditions for? Why? How do the questions and ethics we bring to our moving with children shape particular possibilities for how moving happens – and do these create the relations with moving that we want to build and sustain? 

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Doing “Clean” with Documenting and Rain

Nicole Land thinking with Alicja Frankowski, Andrea Thomas, Selena Ha, and Maria Wysocki

We are curious to think with how we move with documenting – how do we keep our pedagogical documentation in motion, as a process entangled with our everyday movements with the playground? We printed and laminated some images of the children jumping with the logs. As we brought the laminated images into the sand, there were a few children who became concerned with keeping the documentation “clean”. They seemed interested in preserving the documentation as intact images, uncovered by sand or by a presumed, predictable idea of what the sand might do to the images. This makes me very curious to think more about the relations with documenting that we hold and participate in: in the name of what do we want to “preserve” documentation? What inheritances and existing conditions in the field invite relations with documenting concerned with preserving or keeping documenting intact? How? Why? What relations with documenting might we be interested in cultivating? What ways of being with documenting align with our pedagogical commitments? 

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Moving as (or within) a Collective Activity

Nicole Land thinking with Angela Chow and Angélique Sanders

We began, in one of the preschool classrooms, by wondering how we might move collectively: we want to wonder how moving is a shared practice. There’s something to movement that highlights ideas of mutuality, reciprocity, collaboration, communication, and synergy; no body moves in isolation. How might we pay attention to how movements are contagious (in a good way), productive, and communicative – ways of moving catch on and are exchanged between children and adults and the energy, rhythms, and speed of moving in the classroom space constantly change. Moving then, perhaps, could be something we might think with as a practice or activity or process that is expansive and generative; movement goes beyond any one body or any one child’s experience and takes on different meaning through the cumulative, communicative, communal ways moving happens in a classroom.  

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What does Running do?

Nicole Land thinking with Sanja Todorovic and Jajiba Chowdhury

In a toddler classroom, we began by being curious about running and thinking with questions of running and of what running ‘does’; what running creates, what running produces, what running invites, what consequences running generates. This makes me curious about how we get to know running. With what ideas or concepts or inheritances or relations do we build our understandings of what running does or how running happens with children? For me, when I try to name how I understand running, I think often about space and I consider running in relation to spatial considerations: running around bookshelves, running across tile floors, running in tight quarters. Another familiar way that I understand running is in relation to place: running on slippery grass, running across crosswalks, running on really hot days. My phys-ed training always makes me think too about running as gross motor skill: running as a form of locomotion, as an activity that happens at a high intensity, as a way to exercise our bodies. Space, place, and motor skills are then, for me, familiar ways of getting to know running, and they all have particular consequences for how I notice running, how I interpret running, and how I create conditions (spaces, rules, relations) for (or not for) running.  

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‘Monstrous’, Unruly Movements

Nicole Land thinking with Andrea Thomas, Selena Ha, Maria Wysocki and Alicja Frankowski

The sand area in the playground is studded with cut stumps from trees that were uprooted along the other side of the building. These stumps stand as tiny adult thigh-height towers. Climbing on to and jumping off of these stumps is a very interesting way of moving with the playground, and for a few weeks the children often climb and jump barefoot off the stumps. As we moved within the sand with the children, paying careful attention to how we all move with the tree stumps, we began to notice there’s many questions and ways of noticing unfolding: there’s ideas of rules and unfamiliarity (“was this really okay to go barefoot and to jump off the log?”), relations with sand and skin and tree stumps and towels, questions of why and how jumping happens, and curiosities about how we can understand barefoot-sand movements as a collective, situated, unique event.

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Plastic Toys, Playground Spaces, and Moving with the Yard

By Andrea Thomas with Nicole Land

The warm season this year has flown by, but I remember very distinctly all the climbing and jumping off of surfaces that first captured our attention when we thought about movement this spring.  The climbing and jumping always creates some internal conflicts for me: is it safe for children to be climbing up on rocks, stumps, and trees? Is climbing safe for the plants and other living things in the environment?  

The playground was made for gross motor movements of the children, right?  Are they the only ones who matter? For years, some beautiful tiger lilies used to grow in the space at the top of the rock wall by the toddler fence.  But over the past couple of seasons, these plants have been so trampled each spring by children who climb up the rock wall and jump, that although the green shoots still spring up, the plants are stunted and the flowers no longer bloom. As an adult in the environment, how do I decide what it more important?  Where do I set the border/boundary? When we make borders, what lives are we paying attention to and what lives are we not valuing? This yard is a place where things live and die: tiger lilies get trampled, animals make homes that are removed, leaves get picked, and ants get stepped on. Because we have a “natural playground” – and because squirrels, rats, raccoons, trees, moss, wasps, and snails live here – we can ask certain questions.  Even more, because we are part of this place, we have to ask certain questions. We have an ethical responsibility to think about how our human moving is entangled with the possibilities that other lives have for moving in the yard. How does our moving activate our ethical and political choices to pay attention to certain lives and not others? Is it more important to let the children test their skills and explore, climb and jump wherever they want?  Or do I teach a responsibility to care with these plants and flowers? In noticing how our moving is entangled with the yard, the familiar idea that the yard is a space just (or primarily) for children’s skill development becomes unsettled. What happens when we pay attention together with children to how movement connects us within a place? How can we notice how human movements impact plants and flowers – and, how plants and flowers shape human moving. How can we figure out how to move together? 

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Bordermaking and Ownership

By Selena Ha and Nicole Land

“How do we move together?” and “How do we get to know a place with movement?”. These have been the big questions in part of the movement research in the preschool room. 

From the start of the research project inquiry work, we noticed children’s conversations and play, such as “No you can’t play here, it’s my house” and “It’s mine”. We wondered: What did children tell us with this play? What ideas and concepts were they thinking with? We noticed children were creating structures and using them as boundaries that stopped the flow of human moving in the playground; structures and boundaries that interrupted the children’s movements. Thus children that used structures, words, and even their own bodies to create boundaries – they were border making, a term we used to describe our acts of creating and participating in boundaries. Noticing how important borders were in shaping moving, we started to question: what do borders really do? 

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